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Verbatim: Contemporary Documentary Theatre
Return to Book Page. Preview — Verbatim by Will Hammond. Will Hammond Editor. Dan Steward Editor. Verbatim plays are constructed by the playwright from precise words spoken by people interviewed about a particular event or topic.
They lend the play an authority that shifts the theater from mere entertainment to a form of reportage, politicizing the audience. Contributors include David Hare, Max Staff ord-Clark, Alecky Blythe, Nicolas Kent, Richard Norton-Taylor, and Verbatim plays are constructed by the playwright from precise words spoken by people interviewed about a particular event or topic.
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‘Verbatim Theatre’: Oral History and Documentary Techniques
Rating details. More filters. Sort order. Rony Robinson sees this lack of really good equipment as a matter of regret. This speech was read to me from the script of Enemies Within by David Thacker.
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Verbatim techniques in contemporary Finnish documentary theatre
This list is generated based on data provided by CrossRef. Mienczakowski, Jim Qualitative Inquiry, Vol.
unintensamet.ml Charting alternative performance and evaluative practices. Communication Education, Vol. The use of research-based theatre in a project related to metastatic breast cancer. Health Expectations, Vol. Bell, Susan E. Vaginal politics: Tensions and possibilities in The Vagina Monologues. Women's Studies International Forum, Vol.
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Other artists of this late s, early s era, including Tim Miller, Holly Hughes , Spalding Gray, Karen Finley, and the collective Pomo Afro Homos, tell more singularly personal stories of identity formation, the struggle against oppressive religious ideologies, discriminatory social hierarchies, and inequitable political systems. The dramaturgy of these monologue documentaries frequently echoes the collage organization and expressionistic elements of the s living newspapers, eschewing a realistic approach to time and place.
Perhaps the most notable script of this third era is The Laramie Project , a three-act play that takes the murder of college student Matthew Shepard as its catalyst event.
With the success and influence of The Laramie Project , however, it has become a central aesthetic conceit of work built from interviews, especially if those interviews are conducted by the same artists who then construct and perform the documentary script. The Civilians, for example, deliver their content across multiple media platforms, including but not limited to theatre and concerts, including via podcasts. The latter illuminates an aural dimension of communication that documentary theatre more broadly is exploring or returning to.
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The rise and proliferation of reality TV, devised theatre, and now podcasting or serialized audio storytelling has intensified this discussion across fields and industries. Offered as an antidote to staid scripted dramas where narrative control is in the hand of a writer or writing team, reality TV has been marketed as unfiltered and unadulterated, uncovering the rush of emotion available within the risky and uncontrolled flow of everyday life. Since the early s, devised theatre, which encompasses practices that have had many names in eras before, has been touted as bringing or returning democracy to the rehearsal room, decentering written text in the theatremaking process and allowing artists of all backgrounds and skills to become authors of a performance script, upending narrative conventions to tell the story of any idea, individual, or event.
A two-fold insistence on questioning and shaping reality gives documentary theatre its unique character, whether one prioritizes its content or form.
Related Verbatim: Contemporary Documentary Theatre: Techniques in Contemporary Documentary Theatre
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