TM: This design seems to capture the mood of this book very well. The title feels like it could be a little more vertically balanced within the bottom half of the design as well as more prominent, but a solid design. I was aiming for a sci-fi feel that would also appeal to the older end of the young adult audience. The color and typography make for a great attention-grabber though the author name appears to be a little bit of an afterthought.
TM: Holding a classical, historical overall look and feel, the imagery and typography of this design do an excellent job of defining the mood of the book. A little added contrast to the characters portrayed may make the design even stronger. TM: The photography, typestyle, and title are all very interesting for a potential reader. The overall message conveyed may, however, be a little confusing without some context or even the possibility of a brief subtitle. The illustration of the girls is a little visually confusing, but overall the design seems to have a consistent mood.
I did a double-take when I first saw this photo, and thought it illustrated the book concept perfectly! However, a little more fun and interesting type treatment could make this title even more appealing to kids and adults alike.
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The two hearts signifies the romance between Kerrie, her lovers and her husband. TM: The illustration and overall style of this design help capture the comical feel. Sticking to one to two typefaces may help bring a little unity among the type across the design. Brian Smith submitted Purified designed by Derek Murphy. JF: A highly effective and atmospheric thriller cover with some nice type handling too. They consisted of a front and a back cover, each done in brown chalk on French pastel yellow paper. When I decided to publish the book as an e-book, I contacted Robin Ludwig, who combined them for me.
Candace Williams submitted The Earthquake Doll.
Doll on the cover was given to me by my parents. Well done. Almost like a screen print. The colours used represent popular colours of the moment while still appropriate for the theme of the book. The largest moon, Titan, shown here, is featured in several stories. This is a contemporary romance and the author wanted a clean, feminine title as well.
Aside from the author name which appear to be a bit of an afterthought, this is an well-crafted overall composition. Eben created a great logo for the United States Time Travel Bureau, embossed it as a gold stamp on some leather for texture, and then wrapped the whole thing in our Retrofit Publishing branding. Making the author name a little more readable would be the only immediate adjustment I would recommend to this well-done design.
TM: A solid overall design with an interesting arrangement of the lettering within the title.
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Damon Za submitted Bad Penny designed by Damonza. Its bright color and bold typography make it impossible to miss. Damon Za submitted Contract: Snatch designed by Damonza. Utilizing the same typeface for the subtitle and author name could also help bring a little more unity to the type elements. Damon Za submitted Shifting Infinity designed by Damonza.
TM: The style, illustration, and implementation of this design is well done. Everything from the lighting effects to the type style makes this design as intriguing as it is professional. TM: The cited typography help make for a more interesting overall composition.
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The silhouetted figure seems to add to the the suspense rather than detract from the meaning as is sometimes the case with a featureless figure. Damon Za submitted The Chronothon designed by Damonza. TM: The boldness, style, and detail of this composition make it an excellent design. Everything from the unique typography to the stunning photography makes this a memorable and professional book cover.
Dax Varley submitted Bleed designed by Nathalia Suellen. TM: This is an interesting design and concept though the script typeface poses some readability issues—especially among the author name. The image of the tent springing from raw coal evokes not only the old traveling carnivals but the lush textures of Kentucky coal country. Right now it feels like all the elements are competing and none has yet taken the lead.
The green color is for the Emerald Witch. The sword running through the type treatment is a nice touch. It may leave a potential buyer scratching his head. TM: This concept definitely captures the mood effectively. I loved the way this matched the style of the other 3 covers, balancing the uncertainty of a revolution with magic and whimsy. The titling and illustration are all well done. Hence, evil looking old man being pushed in a wheelchair.
Crockett, to design the cover to achieve two goals: 1 letting a prospective reader know that the crime fiction novel was about a female bicycle messenger working in an urban environment and 2 conveying an atmosphere of menace. Either going full illustration, or full photo would be great as of right now it seems to ride the middle of the road. TM: The mood and style for this overall design are well established in this particular book cover.
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I would, however, recommend a little bit more readability in the title and subtitle. The typography, however, lack a bit in readability—particularly the subtitle and book number. My novel tells the tale of an alt-history U. The only small improvement this design could benefit from right now is uniformity in the type. Overall, a well-done design. Andrew and Rebecca Barray. Gabrielle Prendergast submitted Anomic designed by Gabrielle Prendergast. The author wanted something very on trend so we saw eye to eye on this.
The subtitle is nicely placed with the tiger helping to create a balanced overall design. The only thing that could make this design a little stronger is the choice of color palette. The cover feels like it should be more stark, contrasted, and desaturated as opposed to the bright, heavily-saturated colors used in the type. The style added to the main character is a nice touch. The characters in the image are specific to the story, and the setting gives a hint of things to come.
And the story in general is dark and the details represent location, mood and tones inside the pages of the book. Notice the angel wing and the horned shadow. Combined with the fiery coloration nothing else needs to be said. Guido Henkel submitted Hunted designed by Lieu Pham.
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I think, designer Lieu Pham did an absolutely tremendous job of capturing both while going even further and creating a cover that instantly stands out among the crowd with a bold title. The position of the female character follows the narrative arc of the plot. Ian Blackport submitted Starwatch designed by Ian Blackport.
My novel is a fast-paced heist story in a fantasy setting. I wanted the cover to capture the spirit of a caper with keys and scrolls, while using a cloth map for its backdrop. The hand belongs to one of the main characters in the novel, a magician, and the images on the cards represent other characters working at the circus, as the back of the card shows. TM: Very appealing illustration and interesting type treatment. If this book was designed for the youth age group—it hits the target perfectly.
A solid overall design.
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James Willis submitted Fiamma designed by Spiffing Covers. TM: A dramatic and intriguing composition. The title could use a little more contrast but is well done as a whole. Jean Gill submitted Bladesong designed by Jessica Bell. TM: Intriguing design, good choice of typography, and nice touch with the decorative border. TM: A strong, solid design that aptly fits the genre and mood of its target market. Jim Rudnick submitted Pirates designed by James Smith.
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